Angel Answers by Diana Cooper

Angel-AnswersPublisher: Hodder

Published: 2008

My rating: 2 stars

“Angels provide outlooks that can help resolve any human dilemma, whether social, political, historical, personal, sexual, or spiritual, and their enlightened approaches are recorded in this insightful and uplifting spiritual guide. True and inspiring personal stories prove that no problem is too difficult when angels are consulted, and numerous exercises and meditations are included to make listening to and understanding angels easier. These simple, clear, and compassionate answers are presented as a way of resolving trying issues and finding peace.”

Diana Cooper is a spiritualist, whose website states that she was “born … in the Himalayas at the exact second the first bomb fell on London” and was “sent to bring in light to counteract the darkness at the other side of the world. Of course [she] went through the Veil of Amnesia and knew nothing of this.” She has written numerous books about spiritual healing, as well as giving seminars to the credulous. In this book, the angels (who are, of course, 6 foot tall asexual beings) use Cooper as their conduit to answer some of the most pressing questions for humanity. Their answers include topics such as:

  • Cancer – the greatest protection against which is “happiness, contentment, self-worth, and good quality organic food and water”
  • Cows and horses – they “come from Lakuma, an ascended planet near Sirius”
  • Walt Disney – his life mission was to “tell people about the elementals, such as pixies and gnomes”

Further to this, there is an entire section on Atlantis, which contained super-evolved people and inter-dimensional crystals, as well as sections on unicorns, social issues and the cosmos.

Verdict: It is unclear whether Cooper really believes everything she writes or if it’s simply a money spinner. But this is a good diversion if you have time to kill and fancy a laugh in between shaking your head in disbelief that anyone could believe this stuff

Take Me Tomorrow by Shannon A. Thompson

Take Me Tomorrow Publisher: AEC Stellar Publishing

Published: 2014

My rating: 3 stars

In a future version on the United States which has been divided into 7 regions following an external economic crash, the population live in a police state led my a mystery figure known as Phelps, where they are subjected to strict rules and harsh recriminations for any infraction of the laws. The reason for these excessive laws is tomo – a drug with clairvoyant properties. The users of tomo caused an uprising which ended in a massacre and the subsequent way of life.  This is the world of Sophia Gray. In addition to her father’s double life as a cross-border trafficker, her friends are involved in defying the state and its war on drugs. Into the picture comes Noah Tomery, a young man who is deeply entangled with the whole affair and who brings Sophia’s world crashing around her ears. Should she stay and submit to the status quo or should she fight for the people she loves?

I received this book from the author (here is her website) in return for a review. This made the whole review process difficult, since I don’t feel comfortable slating something when I have been in contact with the person who created it. Conversely, I don’t want to appear as though I am being overly favourable in gratitude for being asked to review it. So here follows my honest assessment.

There are some definite pros to Take Me Tomorrow. Thompson has come up with a good story and has, very impressively, managed to find a niche in a highly saturated genre – just think of The Hunger Games, the Divergent trilogy, the Maze Runner series…Additionally, it is refreshing to find that the heroine does not immediately fall for the handsome and brooding boy. Instead, like Katniss in The Hunger Games, she is fiercely independent. Content-wise, I was impressed by Thompson’s creativity and ingenuity.

The cons, however, come from the style of writing and the editing. Given my background in English Language and publishing I may be overly picky however there were some problems which really did affect my enjoyment of the story:

  1. There were far too many Americanisms for my liking. I’m aware that this is a personal preference rather than a failing on the author’s part, but I did find myself wincing over tortured phrases such as “Living in the Albany
    Region was too distant of a past to recall”. While I am guilty of verbosity in my own writing, this was a little too much when it came to reading.
  2. Some of the word choices were just plain wrong. Take, for example,”the shudders were pearl-white”. I would assume that this was a typo, except for the fact that earlier I came across the phrase “windows spanned out over every floor, dark green shudders lining the brown exterior with frivolous decorations”. This takes me onto my third big issue:
  3. Oh my gosh, the hyperbole. And the adjectives. This is not a novel which believes “less is more”; instead, both nouns and verbs require embellishment.
  4. There is surprisingly little character development. The main actors are fleshed out, but some of the minor characters are left up to the reader’s imagination. I, for one, would have liked to know more about Sophia’s father. And who is this mysterious Phelps? He orchestrates most of the action, however we learn very little about his other than that he is a malevolent power.

Ok, I am probably being overly critical. This is a good story from a young writer, who I am sure will continue to mature. I hope this will turn out to be the first instalment in a series, since there are several loose ends which remain to be tied up. Had the writing style not irritated me quite so much, Take Me Tomorrow would probably have received 4 stars since it is well thought through and brings something new to a genre which runs the risk of becoming staid.

Verdict: Worth a read if you have a bit of time on your hands and want something light but a little different.

Recommendation: For another YA dystopian future book from a slightly less well-known author, try Delirium by Lauren Oliver

The Night Circus by Erin Morgenstern

The Night CircusPublisher: Doubleday

Published: 2011

My rating: 4 stars

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. Behind all the magic and wonder, a duel is taking place between two young magicians, Celia and Marco, who have been trained in magic since their childhoods with only one aim – to win the competition. While they believe it is only a show of skill, they are instead locked into a battle where the only chance of winning is to be the last one standing. As they toy with the circus and its inhabitants, Marco and Celia become increasingly involved in one another’s lives – with potentially devastating results.

I have a weakness for Young Adult fiction – indeed, I feel that sometimes it can discuss topics which are still taboo in adult literature – and The Night Circus is one of the best I have read. Conceptually it is great: circuses are already magical places, so where better to hold a magic duel? It is also wonderfully paced. Although it may seem a little slow to begin with, Morgenstern has succeeded in creating an absorbing fantasy world into which you will be drawn. I feel that the time taken at the start of the book to flesh out the plot and the characters is well worth it, since it serves to create a richer fantasy world. By splitting the action over several decades and following the trajectories of several characters, the reader is kept hooked without feeling that the outcome is a foregone conclusion.

Verdict: Simply magical. Read if you fancy some well-plotted escapism.

More like this: Jonathan Strange and Mr Norrell by Susanna Clarke

Drood by Dan Simmons

DroodPublisher: Quercus

Published: 2009

My rating 4 stars

In June 1865, traveling from France to London with his young mistress Ellen Ternan and her mother, 53-year-old Charles Dickens was involved in the Staplehurst rail crash which killed 10 people and injured 40 more. Escaping with only minor injuries, Dickens initially appears to be relatively unharmed, barring an entirely rational fear of fast-moving transport, but he becomes increasingly obsessed with London’s seedy underbelly, with its slums and opium dens and a shadowy figure known only as “Drood”. He begins to take secret trips to “Undertown”, lying about his whereabouts and activities, and a young man he takes under his wing goes missing. Narrated by Dickens’ friend opium-addicted Wilkie Collins (author of The Woman in White and The Moonstone among others) who makes for a fascinatingly unreliable narrator, Drood is a richly-woven Gothic horror story of one man’s descent into madness.

Drood tells the story of the last five years of Dickens life, including his sometimes fraught relationships with family and friends and the writing of his last, unfinished work – The Mystery of Edwin Drood. I attempted to read Edwin Drood several years ago and gave up three pages in. While Dickens’ work is not always the easiest read – and I have slogged through all 800+ pages of Bleak House – Edwin Drood is something else entirely. Beginning in an opium den with one character’s pipe dream, it is a web of complex narrative in which it is easy to get lost. This same feeling is very cleverly evoked by Simmons in Drood where the ridiculous mixes with the mundane (imagine, if you will, macabre ancient Egyptian rituals and a secret city entered via a mausoleum) which, coupled with the incredible unreliability of Collins as a narrator, makes for a fascinating read where you cannot always trust the narrator’s, or your own, experiences.

This is probably not a book to read if you have no experience of Charles Dickens or Wilkie Collins or Victorian literature in general. Simmons has done very well with recreating the feeling of Dickens’ and Collins’ prose, but this may come across as arduous and unnecessarily verbose if you are not familiar with this style of writing. It is also clear that Simmons has done his research – in fact, the first couple of hundred pages read like an attempt to flesh out the setting as much as possible in order to provide a great level of detail. This is admirable, however it does mean that I found the first section quite a slog as the action of the novel does not begin for a long time. That does not mean, however, that Drood is not engaging – in fact, Guillermo Del Toro is due to direct a film adaptation in the near future and I eagerly anticipate seeing what he can do with this fascinating story.

Verdict: You may require some patience to get past the lengthy and overly detailed nature of the prose, but it is worth the effort. Read this if you have any interest at all in Charles Dickens, Wilkie Collins and/or Gothic fiction.

Bared To You by Sylvia Day

BaredToYou_cover_hires Publisher: Berkley Books
Published: 2012
My rating: 3 stars

Eva Tramell, a young, blonde society girl, moves from California to work at an advertising agency in New York and live with her deeply disturbed and highly-sexed best friend, who is also a drop-dead gorgeous male model who may or may not be in love with her. Shortly after starting starting her new job, she enters into a relationship with the intensely hot but extremely possessive Gideon Cross, a man who seems to own most of Manhattan – including the building Eva works in (the Crossfire), a chain of upmarket gyms, some bars, the building where she lives…. The list goes on – and displays disturbing stalker-like tendencies including checking her credit card purchases in order to wow her by knowing her drinks order and reading the lease on her flat in order to find out more about her living arrangements. Despite her initial and entirely rational misgivings – Cross’s idea of courtship is asking whether she’s available because he wishes to fuck her – Eva submits to to his possessive tendencies and embarks upon a relationship filled with mind-blowing sex which is only marred by the fact that both she and Cross have dark and disturbed pasts. Well, relationship may be a strong word for a series of (apparently extremely hot) sexual encounters interspersed with Eva freaking out and running away while Cross asserts his dominance by “marking her” as his, mainly by letting her get up close and personal with what is apparently the most beautiful and enormous penis in the world which Day describes in superfluous detail.

Ok, “synopsis” over. It is surprisingly difficult to write about a book with very little plot to speak of! But on with the review… As may well be obvious, Bared to You is one of several erotica series which were published following the success of E.L. James’s 50 Shades of Grey trilogy (and yes, I have read those too). It is obvious from the outset the debt Day owes to James, who in turn adapted her works from her initial Twilight fan fiction, and the central themes of sex, power and money run through both and highlight Day’s startling lack of originality. Instead of referring to the sexual acts in irritatingly coy terms, Day embraces the other end of the spectrum using phrases such as “he tongued my cleft” and “I looked at him in his civilized, urbane, outrageously expensive suit and thought of raw, primal, sheet-clawing fucking.” Hot!

So why then have I given it three stars? Well, somehow the writing manages to be oddly compelling (although doubtless not in the way Day intended). Rather than the dragging tedium of 50 Shades, with its poorly edited sex scenes and obsession with the Dom-Sub relationship, Bared To You contains elements of humour frequently interspersed with inexpert attempts at erotic writing which have the effect of bordering on the gross – who thinks that feeling spunk dribble down their legs is a turn on?! There is also slightly more parity between the characters of Gideon Cross and Eva Tramell than Christian Grey and Ana Steele. While both men are hot, loaded – in more ways than one (nudge nudge, wink wink) – and emotionally damaged, the real difference is in the female characters. Eva has more going for her than Ana does. She is independent-minded, financially self-sufficient and not immediately wooed by Cross’s coarse attempts at flattery. While the entire situation is incredibly contrived, Day has managed to create a world which feels more real than James’s.

Verdict: if you have time on your hands and fancy a giggle at Day’s attempt to write about steamy sex, then go ahead and read this. Just don’t go into it expecting it to be a) original, b) erotic or c) good.

Cloud Atlas by David Mitchell

Cloud Atlas Film Tie InPublisher: Sceptre (Hodder & Stoughton)

Published: 2004

My rating: 5 stars

Ranging from the nineteenth century to a distant, post-apocalyptic future, Cloud Atlas is composed of 6 inter-related stories, with characters and themes linking them. Each tale is read (or observed) by the main character in the next. Ranging from slavery in the Pacific islands all the way to the same islands hundreds of years in our future, taking in a young composer in 1930s Belgium, the issue of nuclear energy in 1970s California and a futuristic Korea where clones are forced to work 19 hours a day serving consumers at a horrific future version of McDonalds, Cloud Atlas explores what it means to be human, the concept of reincarnation and continuity of the soul, and how our actions can create ripples which reach far into the future.

I don’t tend to read collections of short stories or novellas, with the exception of Ian McEwan’s On Chesil Beach, as I tend to enjoy longer, more involved stories, and worry that the narrative of shorter works won’t have the ability to sustain my interest. By creating a novel composed of short stories with interconnected characters and themes, David Mitchell has managed to tread the line between weightier fiction and a short story collection. While there are some flaws – the pacing is off in some places and, as it to be expected, some of the story lines are more interesting than others – Cloud Atlas  has more to commend it than to detract from its merits.

I came to this book having already seen its 2012 film adaptation. This is something I generally dislike doing, since I feel that this spoils my enjoyment of the writing. However, on this occasion I think that viewing the film before reading the book may have been the correct way to approach it and those friends I know who tried to read the book without first watching the film came away with predominantly negative experiences. Although the plot of the film differs in several instances from that of the book – with the storyline in futuristic Korea deviating the most – it added to my understanding and enjoyment of the book and as soon as I had finished it I went back and watched the film again. The addition of listening to Tom Twyker’s brilliant soundtrack while reading added to the general atmosphere of the novel.

Verdict: One of the few occasions in which a book and its film manage to complement each other. A haunting soundtrack with its leitmotifs adds to the spellbinding nature of Mitchell’s writing. If you are struggling with Mitchell’s writing, stick with it – it’s worth the effort.

Mr Mercedes by Stephen King

mr-mercedes Publisher: Hodder & Stoughton
Published: 2014
My rating: 4 stars

On a cold early morning in a recession hit Midwestern city, hundreds of people stand in line waiting for the doors of a job fair to open. Suddenly, a driver smashes into the crowd in a stolen Mercedes, killing eight and wounding fifteen. Despite wide-spread media speculation, the killer escapes. Months later Bill Hodges, the lead policeman, on the case has retired and is filling his endless time with daytime television and thoughts of suicide. When he receives a goading letter from The Mercedes Killer, he is forced to shake off his apathy and reopen the investigation. With help from unlikely sources, Hodges must follow the clues and prevent another mass killing.

In Stephen King’s first detective novel, a borderline alcoholic ex-cop searches for a psychopathic killer. This may be a hackneyed and formulaic plot, however it benefits from King’s characteristic vision. Opinion on Mr Mercedes seems to be split, with some enjoying his foray into detective fiction while others feel that it is his weakest work. Perhaps the fact that I am not a huge Stephen King fan, having only read Carrie, influenced my view of it. It may not fit into King’s standard oeuvre, however it is a cracking read.

Verdict: Probably not for the die-hard Stephen King fan, it is however an engaging story.

The Prague Cemetery by Umberto Eco

The Preague Cemetary Publisher: Random House
Published: 2012
My rating: 3.5 stars

The 1800s was possibly the most tumultuous century in history, full of revolutionary idealism and religious plotting. Fired by Romantic idealism and a love of the Gothic, secrets abounded and subterfuge was rife; this was the century which brought the world firmly into the modern era, via violent revolutions and rampant anti-Semitism, including the Dreyfus affair. Governments plotted against each other and their own people, creating unrest and promoting rebellion in order to achieve their own ends. Mistrust of anyone different was ubiquitous and rumours of dastardly plots by Jews and Masons were common. At the centre of it all, with a finger in every pie, is Simone Simonini, the main character and creator of The Prague Cemetery of the title. He reaps advantage from sowing discord and creating The Protocols of the Elders of Zion, which purports to describe a Jewish plan for world domination, casually disposing of anyone who threatens his work.

With a plot like this, what could go wrong? It has all the elements of a ripping yarn, written by a very well-regarded author and was short-listed for the Independent Foreign Fiction Prize. However, I felt that Eco had over-reached himself on this occasion. The scope of the plot was far-reaching, spanning many decades and several countries. In trying to create a single story which could tie together disparate elements from European history, I felt that The Prague Cemetery lacked clarity and cohesion.

I found this a difficult book to read, and therefore to rate – which is reflected in the fact that I have deviated from my standard rating system to give it 3.5 stars. There is no doubt that Umberto Eco is a talented author and I have thoroughly enjoyed several of his previous works. However, The Prague Cemetery just didn’t do it for me. Perhaps it was the protagonist, who is one of the most unpleasant that I have come across, or it could be that my knowledge of this period of history is somewhat lacking (although I do now have a better understanding of France in the 1800s, due to reading Les Miserables). Whatever it was, I struggled to get through the book and couldn’t wait to finish it, which was a red flag since I am a voracious reader. My rating, therefore, reflects the struggle between my esteem for Eco as an author and my feelings about this specific book.

Verdict: Packed full of historical detail, The Prague Cemetery will appeal to a certain kind of reader. It just wasn’t for me.

Wool by Hugh Howey

Wool Publisher: Broad Reach Publishing
Published: 2012
My rating: 5 stars

In the future, the world has been struck by an unspecified ecological disaster and is uninhabitable. Most of the population has been killed off and the remaining people live in a giant underground silo, entirely reliant upon those they live with and a vast system of rules and regulations known as The Pact. Any rulebreakers are sent outside to clean the lenses of the sensor towers which provide views of the outside world, complete with a crumbling city and clouds of toxic gas, in an attempt to maintain order and sanity. While most inhabitants of the silo are content to live in their underground home, some question the entire regime. Deemed too dangerous to live, these are the people who are sent out to their deaths. But what if someone sent to cleaning didn’t die? What if they came back with stories of the outside world?

I chose to read Wool for several reasons. This was in part due to reviews I had heard of the plot but also, as a result of my publishing studies, an interest in the way it has been published. Both of these informed my reading of the text and have factored into this 5 star review.

Plot-wise, Wool is far from original. Recently there seems to have been an explosion in books exploring dystopian futures. While many of these are YA titles, such as the Hunger Games and Divergent trilogies, some are are the sci-fi/fantasy genre. However, in a genre which risks over-saturation, Hugh Howey has managed to create a storyline which is refreshingly original.

The publishing history of Wool and the rest of the Silo trilogy is interesting. Howey initially self-published the stories on Amazon, where they proved to be a hit. Print rights to the series were picked up by Random House but Howey has managed to retain electronic rights to the series. In an age when many more authors are turning to self-publishing in an attempt to get past the barriers imposed by traditional publishing, Howey is definitive proof that this method works and may be the future of publishing.

Verdict: If you are interested in well thought through science fiction, this is definitely worth a read. While the plot is not entirely original, Howey has managed to set himself apart from other authors in this genre.

The Goldfinch by Donna Tartt

The Goldfinch Publisher: Little, Brown and Company

Published: 2013

My rating: 4 stars

The Goldfinch follows the story of Theo Decker over more than a decade. It starts with him as a thirteen-year-old, who somehow survives an accident that kills his mother. With his father out of the picture, Theo moves in with the Barbours, the family of a wealthy school friend who live in a world completely detached from his former life. Stumbling through this new world of money, and further detached from normality when his father suddenly reappears and whisks him off to a new and debauched life in Las Vegas, Theo clings to the only thing which reminds him of his old life and his mother – a small painting called The Goldfinch. A chance encounter with Boris, the existential son of a shady Russian businessman, sends Theo down the path of drinking, drugs and theft, issues which will follow him into his adult life. Only Hobie, an intellectual furniture restorer, provides Theo with the care he needs.

This is Donna Tartt’s third novel (after The Secret History and The Little Friend) and, following in the footsteps of her previous works, is a weighty tome full of rich descriptive passages and Tartt could justifiably be regarded as a 21st century Charles Dickens. As with her other novels, she deals with themes of drinking, drug taking and human relationships. These relationships can be inherently flawed (as with Theo and his father), mutually destructive (Theo and Boris) or caring (Theo and Hobie). The overarching question of the novel is whether we are shaped by our circumstances, subject to the whims of Fate, or whether we can choose our own destiny.

Although the skill of Tartt’s writing meant that I was tempted to give this book 5 stars, I didn’t feel able to. I felt it dragged somewhat and found myself getting bored towards the end. Perhaps part of my reluctance to give full marks stems from the fact that I listened to the audiobook of this title and really disliked the narrator, but there were times when I found it difficult to engage with the story. However, there is no doubt that Tartt is an impressive writer and at 773 pages she has created a richly complex world within this hefty tome.

Verdict: This is not a quick read, but it is immersive. As with her other books, many of the characters are thoroughly unpleasant, however there are glimmers of hope. Read this if you want something which will draw you in and make you think, with writing which will captivate you with its complexity.